KS4AQA English Language 8700/1Year 10Lesson

Lesson: Introduction to Paper 1

AQA GCSE English Language, Paper 1: Explorations in creative reading and writing. About 70 minutes. Keep Source A (the insert, from Life of Pi) open next to this page. Your answers save on this device as you type.

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Text:

Choose your pathway

Everyone answers the same questions on the same paper. Your pathway changes how much help you see and the extra challenges. You can switch at any time.

This lesson

Learning objectives

Success criteria

StageWhat we doTime
1Do Now: what do you already know?5 min
2Know the paper8 min
3Read the source and track the tension10 min
4Question 1: multiple choice5 min
5–6Question 2: decode it and see how it is marked10 min
7–9Language toolkit, build a paragraph, learn from a model15 min
10Write your own paragraph10 min
11Review5 min

Stage 1 · Do Now · 5 minutes

What do you already know?

Choose true or false, then answer the question below.

Stage 2 · Know the paper · 8 minutes

What is on Paper 1?

Paper 1 is 1 hour 45 minutes and worth 80 marks (50% of your GCSE). It uses one fiction source. Plan for about 15 minutes reading and planning, 45 minutes on Section A (reading) and 45 minutes on Section B (writing).

Match each question to its marks and skill. Use the pull-down menus.

What is new in the 2026 papers? (open this)
  • First exam June 2026. These are the new sample materials.
  • Question 1 is four multiple-choice questions on the first part of the source: shade one box for each. If you change your mind, cross out the whole box.
  • Question 3 asks how the writer structures the source as a whole to create an effect, including how tension increases or decreases.
  • The 2026 mark scheme names structural features such as pivotal point, juxtaposition, anti-climax, foreshadowing and motifs. Use the right word.
  • The mark scheme says a reference to the writer’s methods can be implicit in Question 4, and it credits “they/them” and other pronouns.

Teacher note: these points come from the 2026 sample question paper and mark scheme. Compare them with AQA’s own summary of changes before you rely on them.

Stage 3 · Read the source · 10 minutes

Read Source A, then track the tension

Before you start. This extract is from the middle of a novel written in 2001. The narrator, Pi, is a teenage boy alone in a lifeboat in the Pacific Ocean with several animals, including a zebra, an orang-utan and a hyena.

Read it twice

  1. First read: just follow what happens. Do not stop.
  2. Second read: use the guide below. After each paragraph, rate the tension.

The guide is my summary in my own words, so you still need the real text open. Line numbers match the insert.

Your tension graph

0 = calm, 10 = terrifying. Fill in all eight ratings.

Support: use “The tension starts … then … until … at the end it suddenly …”.

Stage 4 · Question 1 · 5 minutes

Multiple choice: lines 1 to 9

Read lines 1 to 9 again. Choose one answer for each question. Find the evidence in the text, not from memory.

Support: for each question, put your finger on the line in the insert first, then read the three options.

Stretch: write down which wrong option is the trap in each question, and why it is tempting.

Stage 5 · Question 2 · 5 minutes

Decode the question

“How does the writer use language here to describe the hyena’s appearance?”

Click the five key words or phrases that tell you exactly what to do.

Where do I look?

The question says lines 10 to 19. If you write only about language outside those lines, the mark scheme limits you to Level 1 or 2.

Stage 6 · How is Question 2 marked? · 5 minutes

The four levels in plain English

This is my summary. The official wording is in the AQA mark scheme.

Level 4 · 7–8 marks · Perceptive and detailed. You analyse the effect of the writer’s choices in depth, pick judicious details, and use subject terminology precisely. You may offer more than one reading.
Level 3 · 5–6 marks · Clear and relevant. You explain clearly what the writer’s choices do, with a range of relevant quotations and accurate terminology.
Level 2 · 3–4 marks · Some understanding. You try to comment on effects, with some suitable quotations and some terminology.
Level 1 · 1–2 marks · Simple. Short, obvious comments, simple quotations, little or inaccurate terminology.

Be the examiner

Here are four short answers I wrote about lines 10 to 19. Choose the level each one reaches.

Stage 7 · Language toolkit · 5 minutes

Name it, then explain it

Each phrase comes from lines 10 to 19. Choose the method. Then choose the best effect.

Support: adjective = describes a noun · adverb = describes a verb or adjective · simile = compares using “like” or “as” · contrast = opposite ideas side by side.

Stage 8 · Build a paragraph · 5 minutes

Put the sentences in order

These six sentences make one strong paragraph about the hyena’s short sentences. Use the ↑ and ↓ buttons to put them in the best order.

Stage 9 · Learn from a model · 5 minutes

Read the example answer

This example answer comes from your teacher’s slides.

The writer uses highly negative and vivid language to emphasise the unattractive appearance of the hyena. The phrase “ugly beyond redemption” immediately conveys a strong judgment, suggesting that there is no hope for the animal’s looks. This extreme description sets a harsh tone and positions the reader to share the writer’s disdain.

The writer also uses imagery and similes to highlight specific features. For example, the head is described as “like that of a bear, but suffering from a receding hairline”, which creates a humorous yet unflattering image. The comparison to a bear suggests strength, but the mention of a receding hairline undermines this, making the hyena appear awkward and unattractive. Similarly, the ears are said to look “ridiculously mouse-like”, which contrasts with the animal’s size and adds to the sense of absurdity.

Furthermore, the writer employs lists and cumulative detail to build a sense of overwhelming ugliness: “The mouth is forever open and panting. The nostrils are too big. The tail is scraggly and unwagging.” The repetition of short, blunt sentences creates a rhythm that reinforces the idea that every part of the hyena is flawed. The final comment, “like no dog anyone would want as a pet,” uses comparison to something familiar (a dog) to underline the unattractiveness, making the description relatable and persuasive.

Overall, the writer’s use of strong evaluative language, vivid comparisons, and cumulative detail effectively conveys the idea that the hyena’s appearance is unpleasant and undesirable.

Tick what you can find

Stretch: look at “suffering” and “bungled”. Could the reader feel sympathy as well as disgust?

The structure on your teacher’s slide: focus on the writer’s intention → short embedded quotations → named techniques → effect on the reader → general impression, then specific examples, then overall effect.

Stage 10 · Your turn · 10 minutes

Write one paragraph (lines 10 to 19)

Task: How does the writer use language to describe the hyena’s appearance? Write one paragraph about one or two methods. Choose a technique that the example did not cover, for example the verb “bungled” or the contrast with a leopard.

SupportUse these frames, one sentence each:
  1. The writer uses the [adjective / verb / simile] “…” to describe …
  2. This suggests that the hyena is …
  3. The word “…” makes the reader feel …
  4. This is effective because …
CoreUse these starters:
  1. The writer’s use of … is effective because …
  2. The [term] “…” suggests / implies / conveys …
  3. This makes the reader …
  4. Overall, the language creates …
StretchChallenge: embed two short quotations, zoom in on one word, give a second possible reading (“Alternatively…”), and comment on the sentence form or tone.
0 words (aim for 100 to 150)

Self-check

Ticks show roughly where you are. They are a guide, not a mark. Your teacher decides the level using the AQA mark scheme.

Stage 11 · Review · 5 minutes

How confident are you now?

All done?

Download your answers, print them, or send them to your teacher.